As some wise men said, no one expects the span… the double hack combo. And that’s annoying. Really annoying.
See you next Monday, when a new page will be published.
Pencils and inks below. Click to make an ugly robot cry.
Como algunos sabios dijeron, nadie espera la inquis…. la combinación de doble hackeado. Y eso es fastidioso. Realmente fastidioso.
Nos vemos el próximo Lunes, cuando una nueva página será publicada.
Lápiz y tinta debajo. Cliquéalos para hacer llorar a un robot feo.
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Nitpick: If Ace was as close as he’s shown in cel 4, I’d expect fist to face in cel 6. Not to dictate, but I think the antagonist could be taken out of cel 4 and resolve the distance disjunction without decreasing the drama. (Alliteration ftw)
We can assume Ace stops a second in shock when he sees the spiders. Or that the sequence is actually speedier than initially assumed.
The real thing, it’s a case of tinkering with the storyboard too much, replacing and changing panels, and then failing at revision. The optimal solution, if I were to redrawn anything (that I won’t), would be to take Ace from the problematic panel, centering in the bad guy, as that’s the main action there, Ace there is just a distraction and a nitpicking target
The panel would have been way more attractive that way also.
BTW, today’s page will be posted tomorrow, in case you (or anyone reading this) missed my twitter message.
Fair ’nuff. I had to ponder a minute whether one of those would do something to Ace’s arm (Evil Dead represent!), so I can imagine him wondering the same thing.
Well, if he paused (and so far we must assume he did) he’d just be surprised of the guy’s new move, as Ace was most likely just thinking about the beating on an easy target that was about to happen. Thinking about the possibility of the bad guy using the spiders on him, emulating the cabin scene, is asking too much for Ace, I’m afraid. But, me, well, I love the trilogy and I think you’ll like page 63. How’s that for a spoiler?